D is for Dixie Evans

Dixie Evans is a notable golden era burlesque dancer- she was known for being the "Marilyn Monroe of Burlesque." Her acts would often resemble the latest plot from Marilyn's most recent film. She is currently the curator of the Exotic World Museum in Las Vegas.

C is for Circuit

In the early nineteenth century, striptease artists would tour burlesque circuits or "wheels"- These circuits were orchestrated by burlesque producers who owned or controlled theatres in multiple cities. Popular acts would be combined to form large troupes to rotate around the cicuit. This was a popular form of employment in the burlesque world as it meant stable employment for up to 40 weeks at a time. (Wish we had a couple of those around now..) The two largest wheels were the Columbia (Eastern) Wheel and the Empire (Western) Wheel. Popular performers who perfected their art performing burlesque circuits include Mae West, Al Jolson, Fanny Brice, Gypsy Rose Lee, Sophie Tucker, W.C. Fields, Burt Lahr, and Bob Hope.

i found the neato pic of mae west here

B is for Bump n' Grind

The Bump n' Grind is a suggestive dance move that has a very important place historically in Burlesque. Back in the 1940s and 1950s, the bump and grind was considered a very risque dance move albeit very popular with striptease artists. To bump is to thrust your hips forward or to either side (almost violently!). To grind is to move your hips around in a circular fashion. Combine the two movements and you'll be ready to set the stage on fire!


Above is a demonstration by the legendary Tempest Storm from YouTube

A is for Audience

Burlesque audiences follow their own set of rules! Unlike traditional theatre audiences, Burlesque crowds are actively encouraged to vocally show appreciation for performers. Hoots, hollars, claps, whistles, and requests to "take it off" make audience participation more fun than ever.

image compliments of LIFE photo archive hosted by Google